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Paul A. Cantor

Paul A. Cantor is the Clifton Waller Barrett Professor of English at the University of Virginia and the author, most recently, of The Invisible Hand in Popular Culture: Liberty vs. Authority in American Film and TV (The University Press of Kentucky, 2012).


In The New Atlantis


The Scientist and the Poet

Number 4 ~ Winter 2004

Books


  • The Invisible Hand in Popular Culture: Liberty vs. Authority in American Film and TV (The University Press of Kentucky, 2012)
  • Literature and the Economics of Liberty (Ludwig von Mises Institute, 2009)
  • Shakespeare: Hamlet (Cambridge University Press, 2004)
  • Gilligan Unbound: Pop Culture in the Age of Globalization (Rowman & Littlefield Publishers, 2003)
  • Macbeth und die Evangelisierung von Schottland (Siemens Foundation, 1991)
  • Creature and Creator: Myth-Making and English Romanticism (Cambridge University Press, 1984)
  • Shakespeare's Rome: Republic and Empire (Cornell University Press, 1976)

  • Other Publications


  • “The Elizabethan CIA: The Surveillance State in the 16th Century,” Reason, November 2012
  • “‘A Soldier and Afeard’: Macbeth and the Gospelling of Scotland,” Interpretation, Spring 1997
  • “Tales of the Alhambra: Rushdie's Use of Spanish History in The Moor's Last Sigh,” Studies in the Novel, Fall 1997
  • “Hyperinflation and Hyperreality: Thomas Mann In Light of Austrian Economics,” Review of Austrian Economics, Winter 1993
  • “Stephen Greenblatt's New Historicist Vision,” Academic Questions, Fall 1993
  • “Adolf, We Hardly Knew You,” in New Essays on “White Noise”, edited by Frank Lentricchia (Cambridge University Press, 1991)