Maximal, abusive, mindless copyright expansion isn’t just a disaster for the public, though. It’s also a disaster for creators. There’s this myth that those of us who write do something different from those of us who read, that there’s a fine line between writers and readers, but I’ve never known anyone to use more information than those who create information. The most aggressive copyists, the most aggressive owners of books and acquirers of books and all other media that I can think of are writers. The most aggressive users of the network to research and market, to reach out to their colleagues, to communicate with their publishers, are writers. So even though some writers might think that they might need this, even thought they might apply some Stockholm Syndrome that’s caused them to align themselves with the copyright maximalists that run giant industrial entities that figure that this would be a good idea—it doesn’t actually follow that this is actually good for writers, or for other creative people.Copying creates new opportunities for writers and other creative people that have not existed before.
The talk is in some respects the usual Cory Doctorow message, but very well done. You should read and heed.
My favorite part is where he asks, "Do you have a favorite author?" and then "Did you purchase the first book you read by that author?"
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